Were Nevee Foing Back Back Back Again
"We Are Never Ever Getting Dorsum Together" | ||||
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Unmarried by Taylor Swift | ||||
from the album Ruby | ||||
Released | August 13, 2012 (2012-08-13) | |||
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Genre |
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Length | 3:12 | |||
Label | Big Machine | |||
Songwriter(s) |
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Producer(due south) |
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Taylor Swift singles chronology | ||||
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Music video | ||||
"Nosotros Are Never Ever Getting Back Together" on YouTube | ||||
"We Are Never Ever Getting Back Together" is a song by American singer-songwriter Taylor Swift, taken from her quaternary studio album, Red (2012). It was released for digital download and to U.Southward. popular radio equally the lead single from Ruby on Baronial xiii, 2012, past Big Motorcar Records. Swift wrote and produced the song with Max Martin and Shellback. An upbeat trip the light fantastic-pop and popular stone vocal, "We Are Never Ever Getting Back Together" contains pulsing synthesizers, candy guitar riffs, bass drums, and a spoken-word bridge. Its lyrics express Swift'south frustration with an ex-lover who wants to rekindle their relationship. An alternate version was released to U.S. state radio on August 21, 2012.
Music critics praised the track for its catchy melody and radio-friendly audio, though some described its lyrics as subpar for Swift's songwriting abilities. The song appeared in year-finish lists past Rolling Stone, Time, and The Village Voice. "We Are Never Always Getting Back Together" peaked atop the charts in Canada and New Zealand, and reached the height five in Commonwealth of australia, Republic of ireland, Israel, Japan, and the U.M. On the U.S. Billboard Hot 100, the single debuted at number 72 and rose to number ane the following week, registering one of the biggest single-week jumps in chart history. The unmarried spent a tape-breaking ix consecutive weeks topping the Hot Country Songs nautical chart, and received multi-platinum certifications in Australia, Nippon, New Zealand, and the U.South.
The music video for the song was released on August 30, 2012. The accolades that "We Are Never Ever Getting Back Together" received include a Billboard Music Honor for Summit Country Song, a Grammy Honor nomination for Tape of the Year, a CMT Music Honor nomination for All-time Music Video, and a People's Option Award nomination for Favorite Vocal. Swift included the song on the set lists of iii of her world tours: the Ruby Bout (2013–14), the 1989 World Tour (2015), and Reputation Stadium Tour (2018). A re-recorded version of the song is featured on Ruddy (Taylor's Version), Swift's 2021 re-recording of her 2012 album.
Background and release [edit]
After writing Speak Now (2010) entirely solo, Swift opted to interact with different songwriters and producers for Ruby-red. Thus, she called Max Martin and Shellback, ii songwriters and producers whose work she admired, to discuss a possible collaboration. The trio conceived the concept for "We Are Never Ever Getting Back Together" shortly after a friend of Swift'due south ex-young man walked into the recording studio and spoke of rumors he heard that Swift and her former flame were reuniting. After the friend left, Martin and Shellback asked Swift to elaborate on the details of the relationship, which she described equally "pause up, get back together, break upwards, go back together, just, ugh, the worst". When Martin suggested that they write almost the incident, Swift began playing the guitar and singing, "We are never ever......", and the song flowed rapidly afterwards. She described the process as one of the most humorous experiences she had while recording, and said the musical partners matched her expectations. An audio prune of her sarcastically speaking about breakups tin can exist heard before the final chorus.[2]
The single was the lead unmarried from Cherry.[3] Swift premiered the single on August xiii, 2012, during a alive chat on Google+[4] with the song released on Google Play that twenty-four hours[5] for digital download and to iTunes and Amazon.com the next mean solar day, Baronial xiv.[6] [vii] A lyric video likewise premiered on Swift'southward official Vevo that same day.[8] The song was released to Developed Contemporary radio stations on Baronial 13, 2012[nine] and to mainstream radio stations the side by side 24-hour interval.[10] The song was released to country radio on Baronial 21, 2012.[11] The music video for the vocal premiered on Baronial 30, 2012.[12] A limited edition individually numbered CD single was released to Swift'due south official store and Amazon.com on September iv, 2012. The limited edition CD unmarried was packaged with a "We Are Never Ever Getting Back Together" T-shirt and backpack.[13] The CD single was besides available for individual buy.[14] The CD single was released exclusively to The states Walmart stores the aforementioned day.[fifteen]
Limerick and lyrics [edit]
The three-minute-and-twelve-second vocal[5] features electronic heavy production accompanied to acoustic guitars, a banjo, and a pop music vocal styling, a musical transition for Swift.[16] It was written in the central of G Major with a common time signature and a dull tempo of 80-six beats per minute, with Swift's vocals spanning one octave and five notes, from G3 to Eastwardfive.[17] The track features an acoustic guitar (some of its sounds are reversed) and various synthesizers over an electronic pulsate shell. The land radio release featured a unlike instrumental organisation. The alternating mix replaced the guitar, drum machine, and synthesizers with a mandolin, fiddle, steel guitar and snare drums.[18] The song was written by Swift, forth with Martin and Shellback.[eighteen] [19] The lyrics discuss Swift's frustration towards a sometime male person lover who wants to rekindle their relationship. Jonathan Keefe of Camber Magazine describes it as a bubblegum pop number[20] [21] while AllMusic categorized the vocal nether the trip the light fantastic toe-pop genre.[22] James Lancho, reviewing the album Red called the song "sassy popular-rock in the mould of Katy Perry",[23] and Marc Hogan of Spin deemed the single "saucy electro-pop".[24] The New York Times dubbed it a "snarky electro-folk melody".[25]
Critical reception [edit]
Professional ratings | |
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Review scores | |
Source | Rating |
Billboard | four.5/five[26] |
Common Sense Media | [27] |
Digital Spy | [28] |
Rolling Rock | [29] |
Upon initial release, the song received positive reviews from music critics. Robert Myers of The Hamlet Voice felt that the song, while "skillful", was "not Swift at her best" and speculated that the decision to release it as a lead unmarried was made for commercial reasons: "I doubtfulness 'Never E'er' is even close to beingness the all-time song on Red; it's a teaser, an indication to her fans of what's coming up. That sounds like commercial calculation of the worst kind, only I don't retrieve information technology is. Swift's connectedness with her audition is possibly more than important than her connection with her boyfriends. And there is one brilliant touch: the spoken bit that comes after the middle viii."[thirty] Grady Smith of Entertainment Weekly drew comparisons with Avril Lavigne and praised the "undeniable, instantly catchy hook".[eighteen] While describing the vocal as "joyous", he nonetheless expressed concern that the song's "juvenile sensibilities" marked a regression following Swift'south work on Speak Now.[18] Jody Rosen of Rolling Stone noted that the song'due south "hooks, plural, take a zing that's more than Stockholm than Nashville. Merely information technology's unmistakably Taylor: a witty human relationship postmortem, delivered in inimitable girlie-daughter patois. And this bit – "I'm just, I mean, this is exhausting. Like, we are never getting back together. Similar, always" – might exist the nearly sublime spoken-word interlude in pop since Barry White died."[29]
Marah Eakin of The A.V. Club commented on "what a adept song information technology is": "With its thumping boot drum, clipped syncopation, and mildly snarky lyrics, information technology's a teen dream in the vein of Swift's other sing-forth jams like "Dear Story" or "You Vest with Me."[31] Kevin Coyne of State Universe gave the vocal a failing D grade, calling it a "huge step backward".[32] James Montgomery of MTV felt the "fantastic" song may "represent a turning point in her career ... Swift no longer has any interest in beingness the victim ... [She] displays a defiant, liberated streak". He noted that the song seemed "custom-crafted to boss radio ... all shiny, argent guitars and walloping, whomping choruses".[33] Amy Sciarretto of Popcrush praised Swift for capturing a "universal feeling in an upbeat, empowering song" and described it as "one of the catchiest tunes she'southward e'er penned".[34] Jonathan Keefe of Slant Magazine described "the melodic hook" as the vocal's best attribute only criticized Swift's "stilted phrasing". He described her vocal performance every bit a "complete misfire", pointing out that her vocalism was at its "virtually unpleasant and nasal". Still, Keefe warned that it was "premature" to say the "full-on pop" song "signals anything more than than a temporary breakup".[xx] David Malitz of The Washington Mail service institute the song immature and remarked, "the chorus is catchy but if this is representative of what awaits on Reddish, it'south hard to exist too excited".[35] Glenn Gamboa of Newsday described it as "anthemic in a slick popular manner, rather than her usual modern country way ... Function of T. Swizzle's charm is the way she makes her songs sound 18-carat and conversational and 'Never E'er' is no exception".[36] Billy Dukes of Taste of Country stated that "[Swift] captures the anger of immature love gone incorrect better than anyone since, well…[Taylor] Swift" and that the song's melody is "difficult to embrace apace."[37] Even so, Camille Mann of CBS News considered the vocal to be "catchy".[38]
"Nosotros Are Never E'er Getting Back Together" featured on 2012 year-terminate lists past Rolling Rock (second),[39] Time (fourth),[40] The Guardian (fifth),[41] The Village Voice 'due south Pazz & Jop critics' poll (6th),[42] PopMatters (11th),[43] NME (24th),[44] and Consequence (40th).[45] The unmarried was named the 169th all-time song of 2010–2014 on Pitchfork'due south "The 200 Best Tracks of the Decade So Far (2010-2014)" list.[46] It also received a Grammy nomination for Record of the Yr for the 2013 Grammy Awards.[47] In 2019, Stereogum ranked the song every bit the 71st best vocal of the 2010s.[48] Rolling Stone ranked the song equally the thirteenth-all-time female country vocal of the 2000s and 2010s.[49] The Tampa Bay Times ranked it 4th on their list of the best 2010s pop songs.[l]
Accolades [edit]
Year | Organization | Award/work | Result | Ref |
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2012 | Guinness World Records | Fastest Selling Single in Digital History | Won | [51] |
2013 | Academy of Country Music Awards | Best Music Video | Nominated | [52] |
Billboard Music Awards | Top Streaming Vocal (Video) | Nominated | [53] | |
Height Country Song | Won | |||
BMI Awards | Laurels-Winning Songs | Won | [54] | |
CMT Music Awards | Video of the Year | Nominated | [55] | |
Grammy Awards | Record of the Year | Nominated | [56] | |
MTV Video Music Awards Japan | Best Female Video | Nominated | [57] | |
Best Pop Video | Nominated | |||
All-time Karaoke Video | Nominated | |||
Much Music Video Awards | International Video of the Year | Nominated | [58] | |
Myx Music Laurels | Favourite International Video | Nominated | [59] | |
Nickelodeon Kids' Option Awards | Favourite Song | Nominated | [sixty] | |
Argentine republic Nickelodeon Kids' Pick Awards | Favorite International Vocal | Nominated | [61] | |
People'southward Choice Awards | Favourite Vocal | Nominated | [62] | |
Radio Disney Music Awards | Best Break Up Song | Won | [63] [64] | |
Sirius XM Holdings Awards | International Video of the Year | Nominated | [65] | |
International Single of the Twelvemonth | Nominated | |||
Teen Pick Awards | Option Break-Up Song | Nominated | [66] | |
Choice Country Vocal | Won | |||
MTV Millennial Awards | Striking Chicle del Año (Catchiest Hit of the Year) | Won | [67] | |
Hito Music Awards | Best Western Song | Won | [68] | |
2014 | World Music Awards | Earth's Best Song | Won | [69] |
World'due south Best Video | Nominated | |||
ASCAP Awards | Nearly Performed Song | Won | [70] | |
BMI Pop Awards | Award-Winning Song | Won | [71] |
Commercial performance [edit]
In the U.S., "We Are Never Ever Getting Back Together" debuted at number 72 on the Billboard Hot 100 chart week ending Baronial 25, 2012, based on 2 days of airplay.[72] It rose to number one the following week, registering one of the biggest single-week jumps in chart history.[73] Giving Swift her offset Hot 100 number ane, it made Swift the land artist with the most peak-ten nautical chart entries (xi, tying with Kenny Rogers).[74] It spent ii consecutive weeks at number ane[75] and was the beginning country song to spend iii or more weeks at number one after Kenny Rogers's "Lady" (1980).[76] The single stayed in the top ten for thirteen non-consecutive weeks.[77] On the Radio Songs chart, "We Are Never Always Getting Back Together" entered at number 25, the highest debut for a song by a female person country artist.[78] Information technology peaked at number three for three non-consecutive weeks, giving Swift her fourth acme-ten entry.[79] On the Hot Digital Songs chart, "We Are Never Always Getting Back Together" debuted at number one with first-calendar week sales of 623,000 digital copies in the week catastrophe September 1, 2012, setting a record for the fastest-selling digital single by a female creative person in Billboard chart history.[note 1]
The single debuted at number 13 on the Hot Country Songs chart week ending September 1, 2012, based on airplay solitary.[82] After Billboard changed the methodology for the chart, incorporating digital sales and streaming into chart rankings in improver to airplay, "We Are Never Ever Getting Back Together" ascended to number one for the chart dated Oct xx, 2012, giving Swift her 7th Hot Country Songs number one.[83] This prompted manufacture debate over the status of Swift as a state artist, given that "Nosotros Are Never Always Getting Back Together" received lukewarm reception at land radio and never reached the top x of the Country Airplay chart, and was more favorably received at pop radio.[84] Information technology remained on the top spot of the Hot Country Songs for ix consecutive weeks, breaking the eight sequent weeks record of Connie Smith'south "In one case a Mean solar day" (1965) for the longest unbroken run at number i for a female person creative person.[85] The vocal spent a full of ten weeks at number one,[86] a career all-time for Swift and a tape for the longest-run at number i for a female creative person.[notation 2]
"We Are Never Ever Getting Back Together" peaked within the peak ten of Billboard airplay charts including Adult Contemporary, where it reached number 10 for vii not-sequent weeks,[89] Adult Meridian forty, where it reached number seven,[90] and Mainstream Top forty, where it peaked at number ii for four not-consecutive weeks.[91] Roughly two months after its release, the single surpassed ii million U.S. digital sales by September 2012, making Swift the showtime land creative person two have six digital singles each sell over two 1000000 copies.[92] Past July 2019, "We Are Never Always Getting Back Together" had sold four.1 million copies in the U.S.[93] The Recording Industry Association of America (RIAA) certified the single 6 times platinum, denoting six million units based on sales and streaming.[94] In neighboring Canada, the single peaked atop the Canadian Hot 100, Swift's second number ane following "Today Was a Fairytale" (2010).[95] Information technology was certified gold past Music Canada (MC).[96]
Exterior North America, "We Are Never Always Getting Dorsum Together" peaked atop the tape chart in New Zealand, where it was certified double platinum by Recorded Music NZ (RMNZ).[97] The single peaked within the height ten on charts in State of israel (number two),[98] Australia (number iii),[99] Republic of ireland (number four),[100] the U.K. (number four),[101] Norway (number vi),[102] Hungary (number 9),[103] and Kingdom of spain (number ix).[104] It peaked at number 8 on Euro Digital Song Sales, a Billboard chart monitoring digital singles across Europe.[105] The runway was certified platinum in Sweden and the U.1000.,[106] [107] and five times platinum in Commonwealth of australia.[108] Past October 2014, the single had sold over 616,000 digital copies in the U.K.[109] In Japan, "We Are Never Always Getting Dorsum Together" was a chart success, peaking at number ii on the Japan Hot 100 and remained on the nautical chart until 2015, iii years afterward its release.[110] The Recording Industry Association of Japan (RIAJ) awarded the single a "1000000" certification for selling over ane one thousand thousand digital copies.[111]
Music video [edit]
Background and release [edit]
A music video for the song premiered on CMT, MTV and TeenNick on August 30, 2012, at 7:49 pm Eastern fourth dimension, and afterward on MTV.com, CMT.com, and VH1.com the same day at 8:00 pm Eastern time. The video is directed past Declan Whitebloom, with whom Swift has worked on the music videos for both "Hateful" and "Ours".[12] The video was shot similar a pop-upwards book using a Sony F65 CineAlta camera with Leica 25 mm Summilux-C lens in one continuous shot with no editing, and features five sets and Swift in as many outfits.[112] Information technology is also the first music video to be featured in 4K resolution.[113] Co-ordinate to Swift, she wanted the video to be every bit "quirky as the song sounds" and stated that "There's just knitting everywhere; at that place's only random woodland creatures popping upwardly."[38] Prior to the video's release, a fourteen-second preview was released by CMT on their official YouTube on August 30, 2012.[114] As of September 2021, it has over 674 million views on YouTube.[115]
Synopsis [edit]
The video, which is done as ane continuous shot,[116] begins with Swift in colorful pajamas recounting the events of her off and on once again human relationship with her ex-boyfriend (played past Noah Mills). The video and then segues into Swift going into her living room where her band is dressed upward in animal costumes and Swift belts out the chorus of the song. The video then goes to a Tv where Swift says "Like, ever." and and so to the dining room where nosotros run into she returns to recounting the events of her human relationship and receives a phone call from her ex who is calling her from a nightclub. Swift hangs up on him and he walks off screen into the nightclub. It then goes to the two in a truck having an argument then to them having a stroll in the park. Swift then runs off and we see her on the phone telling the person on the other line how she and her ex are not getting back together and her frustration of their entire relationship. The video and so segues back to Swift's living room where a party is going on and her ex shows upwards unannounced trying to woo her back and she slams the door in his face. The video ends with Swift on her window ledge where she was at the get-go of the video, singing the last line of the song.[117]
Reception [edit]
James Montgomery of MTV praised the video stating that the video is "truly a treat to sentry".[118] Jim Farber of the New York Daily News comment on the video was that "[Swift's] tone and demeanor in the clip is conversational and sarcastic, ideally suited to simulating intimacy with her massive teen girl fan-base."[119] Carl Williott of Idolator commented on the video's content and stated "what more could y'all ask for in a visual for a #1 popular smash?"[120] Rolling Rock called information technology "flinging stiff-willed sass".[121] David Greenwald of Billboard stated that the video "is a quirky celebration that finds Swift singing and dancing with band members in beast costumes in between relationship flashbacks -- all filmed in an elaborate long shot. Swift wears big glasses and a pair of printed pajamas as she shrugs off her not-so-dainty ex-boyfriend, a scruffy, seemingly older musician-type with a penchant for drama."[122]
Live performances [edit]
Swift performed the song alive for the first time at the 2012 MTV Video Music Awards on September vi, 2012, which was held at the Staples Center in Los Angeles.[12] [123] Swift was the terminal functioning of the nighttime and, wearing a red and white striped shirt and black shorts, began her performance in an area resembling a recording studio before taking the stage along with her redundancy singers, dancers and ring (in fauna costumes) took the stage.[124] Swift also performed the song live at the iHeartRadio Music Festival in 2012 and 2014. During her visit to Brazil, she performed the song on TV Xuxa and during a concert in Rio de Janeiro on September 13, 2012.[125] [126]
Swift performed the vocal on the British version of The X Factor on October 14, 2012.[127] She performed the vocal on the German language Tv set evidence Schlag Den Raab.[128] On January 25, 2013, Swift performed "We Are Never Ever Getting Dorsum Together" at the Los Premios 40 Principales in Espana.[129] The side by side twenty-four hour period, she performed it in Cannes, France, during the NRJ Music Awards.[130] On February 10, 2013, Swift performed the song at the 2013 Grammy Awards, opening the ceremony. She performs the vocal on her Red Tour nightly equally the finale. A rock version of the song was performed on The 1989 Globe Bout. More than recently, the song was performed as a mashup with "This Is Why Nosotros Can't Have Nice Things" every bit the finale on Swift's Reputation Stadium Tour. Swift performed the song on the iHeartRadio Wango Tango on June one, 2019. On December 8, she performed an acoustic version of the song at Uppercase FM's Jingle Bong Ball 2019 in London.[131]
Parodies [edit]
The vocal and video were parodied past teddiefilms in the fashion of Breaking Bad. The parody, called "We Are Never Ever Gonna Cook Together," was uploaded to YouTube on October 18, 2012.[132] The 22nd episode of Greyness'southward Anatomy 's tenth season is titled "Nosotros Are Never Ever Getting Back Together".[133] On September 8, 2012, YouTube star Shane Dawson, parodied the song, releasing a studio version[134] and a music video on his YouTube channel.[135] Sky News remixed portions of speeches by David Cameron to brand information technology announced as though he was reciting the chorus every bit promotion for their coverage of the 2014 Scotland Independence Referendum.[136]
Credits and personnel [edit]
Credits are adapted from the liner notes of the CD single.[137]
- Taylor Swift – lead vocals, author, producer, backing vocals
- Max Martin – producer, writer, keyboards
- Shellback – producer, writer, guitar, bass, keyboards, programming
- Tom Coyne – mastering
- Eric Eylands – assistant recording
- Serban Ghenea – mixing
- John Hanes – engineer
- Sam The netherlands – recording
- Michael Ilbert – recording
- Tim Roberts – assistant engineer
Charts [edit]
Certifications and sales [edit]
Release history [edit]
"We Are Never Always Getting Back Together (Taylor'due south Version)" [edit]
"We Are Never Ever Getting Dorsum Together (Taylor's Version)" | |
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Song by Taylor Swift | |
from the album Ruby (Taylor's Version) | |
Released | November 12, 2021 (2021-11-12) |
Genre |
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Length | three:13 |
Label | Republic |
Songwriter(southward) |
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Producer(s) |
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Lyric video | |
"We Are Never Ever Getting Dorsum Together (Taylor's Version)" on YouTube | |
Swift re-recorded "We Are Never Ever Getting Back Together", subtitled "(Taylor's Version)", for her 2nd re-recorded album, Red (Taylor's Version), released on November 12, 2021, through Republic Records.[200]
Charts [edit]
Meet too [edit]
- Listing of Billboard Hot 100 number-one singles of 2012
- Listing of Billboard number-1 land songs of 2012
- List of number-1 digital songs of 2012 (U.S.)
- List of Canadian Hot 100 number-i singles of 2012
- List of number-ane singles from the 2010s (New Zealand)
Footnotes [edit]
- ^ The record was cleaved past Adele's 2015 unmarried "How-do-you-do" (2015), which sold over 1.1 million digital copies in its first week.[80] [81]
- ^ The record was broken by Bebe Rexha's "Meant to Be" (2017) featuring Florida Georgia Line, which spent 35 consecutive weeks at number one.[87] [88]
References [edit]
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- ^ "We Are Never Ever Getting Back Together – Single". Apple Music. Archived from the original on Baronial 19, 2012. Retrieved August fourteen, 2012.
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- ^ a b "Ac Available for Airplay". FMQB. Archived from the original on August 19, 2012. Retrieved August 18, 2012.
- ^ a b "Available for Airplay Archive". FMQB. Archived from the original on November 17, 2012. Retrieved Baronial 18, 2012.
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- ^ a b Sources:
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- ^ Sources:
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Source: https://en.wikipedia.org/wiki/We_Are_Never_Ever_Getting_Back_Together
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